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In between there’s “Orchestra Rehearsal” (1978, Saturday), in which a TV crew records the shenanigans at the title event inside an abandoned chapel and “City of Women” (1980, Friday), in which Fellini alter ego Marcello Mastroianni finds himself in a hotel besieged by a legion of women.
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The “Complete Federico Fellini” program rolls on at the Harvard Film Archive, with Fellini’s 1970 TV movie “The Clowns,” part documentary and part a delve into Fellini’s childhood obsession with circus performers (see “La Strada”). The eclectic slate includes Bernardo Bertolucci’s take on Mussolini’s fascist Italy, “The Conformist” (1970), and “My Night at Maud’s” (1969), directed by Éric Rohmer, both starting short runs Friday then the spaghetti western that paired Trintignant with Klaus Kinski, “The Great Silence” (1968), on Saturday and Sunday and the gorgeously shot, dystopian future drama “The City of Lost Children” (1995) by Jean-Pierre Jeunet and Marc Caro on Sunday.
Later in the week the programming pivots to honor legendary French icon Jean-Louis Trintignant, who died last month. Special engagements on tap are the Revolutions Per Minute Film Fest’s celebration of Jodie Mack’s experimental, handmade animation, with Mack in attendance Wednesday and a 50th anniversary restoration of the John Waters trash cinema classic “Pink Flamingos” (1972) starring Divine, Edith “the egg lady” Massey and Mink Stole, coming Thursday. The Judy Garland Centennial Celebration continues at The Brattle Theatre this week with two Busby Berkeley-directed musicals co-starring Mickey Rooney: “Girl Crazy” (1943, Monday and Tuesday) and “Strike Up the Band” (1940, Tuesday). His presence as a roguish outsider will be missed. Jones went behind the lens for two films: “The Devil’s Bedroom” (1964) and the cult curio “A Boy and His Dog” (1975, streaming on Freevee) starring Don Johnson as young man living in a post-apocalyptic wasteland with a telepathic dog that can locate women, who are increasingly rare, for recreational dalliances. Jones also has small parts in “Casino” (1995), “Hang ’Em High” (1968) and “The Mask of Zorro” (1998).
The veteran Western TV actor (“The Big Valley,” “Gunsmoke” and “Rawhide”) found regular work in the films of maverick film director Sam Peckinpah, most notably as one of the scoundrel ragtag bounty hunters, perfectly paired with Strother Martin in the epic “The Wild Bunch” (1969), as well as “Major Dundee” (1965), “The Ballad of Cable Hogue” (1970) and “Pat Garrett & Billy the Kid” (1973).
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